bic pen and acrylic on gray paper
page 03-04-05 of the prologue of the story "L'Eponge de Samir Noferi"
© Dario Balletta
giovedì 11 giugno 2015
martedì 9 giugno 2015
"All the tracks Sonoritè Vide are made to be the "soundtrack" of my performances with the same name, performances about the effects of the frequencies sound vibration on minds; for most of listeners the tracks will sounds like noises [ maybe ] in rhythm, but It is not to exclude that they can have effects for those more sensitive"
some madman put on the web the sonoritè vides by Noferi, be careful!!!
mercoledì 3 giugno 2015
mercoledì 13 maggio 2015
https://soundcloud.com/samir_noferi/sets/biunni-brunelli-a-palermo-1
The Absolute First Samir Noferi's Album found, you can listen a Noferi still immature, but already here you can find the roots of his research leading, leads and will lead to L'Eponge.
"Biunni & Brunelli a Palermo Runne'gghié" was born by chance, initially intended to be a photograph that could act as cover to a fictional album Jazz, then fell to the limbo of unrealized ideas, until a little bit contrived by life events I was forced to temporarily put aside other projects and try a different expression, for what in my life I have had to face in spite of myself for the hundredth time. And in this context "Biunni & Brunelli in Palermo Runne'gghié" has returned in a new form in this musical experiment without any pretense. N.B. Biunni & Brunelli a Palermo Runne'gghié "translated" dialect literally means "blonds and brunettes(male) anywhere in Palermo", where "Biunni" means someone fell from the clouds, which does not notice or if you would like a naive, and "brunelli" an uneducated, a little good, but also an asshole ...
L'Oeil Des Garguilles
Quartiarsi
The Absolute First Samir Noferi's Album found, you can listen a Noferi still immature, but already here you can find the roots of his research leading, leads and will lead to L'Eponge.
"Biunni & Brunelli a Palermo Runne'gghié" was born by chance, initially intended to be a photograph that could act as cover to a fictional album Jazz, then fell to the limbo of unrealized ideas, until a little bit contrived by life events I was forced to temporarily put aside other projects and try a different expression, for what in my life I have had to face in spite of myself for the hundredth time. And in this context "Biunni & Brunelli in Palermo Runne'gghié" has returned in a new form in this musical experiment without any pretense. N.B. Biunni & Brunelli a Palermo Runne'gghié "translated" dialect literally means "blonds and brunettes(male) anywhere in Palermo", where "Biunni" means someone fell from the clouds, which does not notice or if you would like a naive, and "brunelli" an uneducated, a little good, but also an asshole ...
L'Oeil Des Garguilles
Quartiarsi
mercoledì 22 aprile 2015
The Four Matriarchs of the seminomadic tribes in which Tögřam grew, the four matriarchs were leading each one of the four groups that form the tribe, before joining
Hazz Nhott, oldest matriarch of the semi-nomadic tribes, gatherers’s clan former leader, making the functions of medicine woman in the new bigger tribe
because they are semi-nomadic usual exchange part of what has been hunted with other tribes, frequent exchanges are made with other food, these big shells of snails reared are all that remains of some previous meal of the matriarchs
Qhooyà Nnhà, she says the last word on many of the issues of the tribe, for some she is the most powerful of the matriarchs, because leads the group of warriors
even with different customs and lifestyles, the four small tribes before joining shared many things, among them the respect and the cult of the memory of their ancestors, and the matriarchs, from their leading position, remember to anyone invited in their tent the strong bond with ancestral relatives
Saahb Ynn, , her group is the one of the hunters, even before the four tribes were united, each area in which they moved seemed not to hide secrets to their unmatched skills
sometimes the tribe performs exchanges with the populations that occupy a permanent territory, which presents particular resources, in these cases the matriarchs wish to acquire particular objects of everyday use, as this earthenware jar for the water embellished with decorations
Rasheed-Ha, leader of the guardians, this tribe used to exchange performances of various kinds with stable populations from season to season, but have never been able to get used to a sedentary lifestyle, in the new tribes have taken the task of guardians because they knew more people and more knowledge in the field of defense and in maintaining then the other groups.
martedì 17 marzo 2015
The three trailers made
L'Eponge de Samir Noferi trailer 1
L'Eponge de Samir Noferi trailer 2
L'Eponge de Samir Noferi trailer 3
Perchè raccontare della Grande Madre? Proprio per riflettere sul ruolo di quel “Madre”. Proprio per sottolineare come prima della Madre vi fosse l’individuo e come la maternità non sia che una chiave interpretativa alla quale ci siamo abituati per descrivere il lato “ying” delle cose. Si corrompe, tale chiave, quando diviene un sigillo, una condanna sociale al ruolo, un sistema di controllo ed imbrigliamento del singolo in un modello. Ha senso per noi parlarne, quando essa è una fra le tante potenziali opportunità dell’individuo, un suo potenziale sviluppo e non il suo termine di definizione. La Grande Madre è la Grande Donna, ma è soprattutto il Grande Essere Umano. Perchè lei dunque? Perchè raccontare la sua storia? Perchè una casa necessita di mattoni. Perchè pur bisogna cogliere dall’immaginario del lettore, senza crear da zero. Perchè bisogna richiamare i prodotti di un inconscio collettivo per analizzare - chi scrive e chi legge - la loro struttura, quanto hanno di vero, quanto ancora possono svelare o, persino, quanto a lungo ci hanno ingannato.
[ Why tell the “Great Mother”? Right in order to reflect about the role of the “Mother”. Right to emphasize that before the Mother there was the individual, and how motherhood is not that:an interpretive key to what we are used to describe the side “ying” of things. When it becomes a seal, that key gets corrupted, a social stigma to the role, a system of control and harnessing of feminine energies. It makes sense for us to talk about it, when it is one of many potential opportunities of the individual, one of its characteristics and not its definition. The Great Mother is the Great Woman, but it is mostly the Great Human Being. Because her? so why should we tell her story? Why a house needs bricks. Because we have to pick from the imagination of the reader, we can’t creat from nothing. Even because we have to recall products from the collective knowledge and analyze them - both writer and reader. Are these products true? Or have we been cheated? ]
Fabio Catanese
L'Eponge de Samir Noferi trailer 1
L'Eponge de Samir Noferi trailer 2
L'Eponge de Samir Noferi trailer 3
Perchè raccontare della Grande Madre? Proprio per riflettere sul ruolo di quel “Madre”. Proprio per sottolineare come prima della Madre vi fosse l’individuo e come la maternità non sia che una chiave interpretativa alla quale ci siamo abituati per descrivere il lato “ying” delle cose. Si corrompe, tale chiave, quando diviene un sigillo, una condanna sociale al ruolo, un sistema di controllo ed imbrigliamento del singolo in un modello. Ha senso per noi parlarne, quando essa è una fra le tante potenziali opportunità dell’individuo, un suo potenziale sviluppo e non il suo termine di definizione. La Grande Madre è la Grande Donna, ma è soprattutto il Grande Essere Umano. Perchè lei dunque? Perchè raccontare la sua storia? Perchè una casa necessita di mattoni. Perchè pur bisogna cogliere dall’immaginario del lettore, senza crear da zero. Perchè bisogna richiamare i prodotti di un inconscio collettivo per analizzare - chi scrive e chi legge - la loro struttura, quanto hanno di vero, quanto ancora possono svelare o, persino, quanto a lungo ci hanno ingannato.
[ Why tell the “Great Mother”? Right in order to reflect about the role of the “Mother”. Right to emphasize that before the Mother there was the individual, and how motherhood is not that:an interpretive key to what we are used to describe the side “ying” of things. When it becomes a seal, that key gets corrupted, a social stigma to the role, a system of control and harnessing of feminine energies. It makes sense for us to talk about it, when it is one of many potential opportunities of the individual, one of its characteristics and not its definition. The Great Mother is the Great Woman, but it is mostly the Great Human Being. Because her? so why should we tell her story? Why a house needs bricks. Because we have to pick from the imagination of the reader, we can’t creat from nothing. Even because we have to recall products from the collective knowledge and analyze them - both writer and reader. Are these products true? Or have we been cheated? ]
Fabio Catanese
lunedì 9 marzo 2015
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